A special bundle featuring five books from artists essential to the history of Conceptual Art:
A special bundle featuring three books from artists exemplative of New York’s underground art scene in the East Village from the late 1960s to the early 1990s:
A special bundle featuring three books from artists engaged in experimentation with literary forms:
A special bundle featuring five books from artists dealing with sound and music in myriad ways:
Sketchbook, September 1977 is an early journal by Greer Lankton written during her time as an art student at the School of the Art Institute of Chicago. It offers key insights into the artist’s mind before her move to New York in 1978, where she would go on to have a prolific career making lifelike dolls, theatrical sets, photographs, drawings, and paintings.
Containing drawings, behavioral diagrams, and occasionally confessional writing, the journal is a record of imagining the body and mind reconciled through transformation. In these pages, the nineteen-year-old turns an inquisitive, sociological eye toward the emotional landscape and somatic effects of her days recorded here—the time period leading up to her decision to undergo hormone treatment and gender-affirming surgery in 1979. Lankton reflects with raw vulnerability and keen self-awareness on critical questions of self-image, social perception, gender normativity, and human behavior.
The book also includes an afterword by Lankton’s lifelong friend, Joyce Randall Senechal. Sketchbook, September 1977 is one of the earliest of Greer Lankton’s journals, sketchbooks, and daybooks to appear in the artist’s archives housed in the Department of Film at The Museum of Modern Art. The majority of Lankton’s papers and archives are housed at the Mattress Factory, Pittsburgh.
Greer Lankton (1958-1996) was born in Flint, Michigan. After moving to New York, she became an important figure of the East Village art scene, presenting her work in key exhibitions like New York/New Wave at PS1 and Witnesses: Against Our Vanishing at Artists Space as well as in solo and group exhibitions at legendary East Village galleries Civilian Warfare and Gracie Mansion. She participated in the Whitney Biennial and the Venice Biennale in 1995. Lankton relocated to Chicago in 1990 and her final work, It’s all about ME, Not You, was completed in 1996 and is on permanent view at the Mattress Factory in Pittsburgh.
160 pages
5.5 x 8.5 inches
Paperback
Edition of 2500
September 2023
ISBN: 9798987624913
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Managing Editor: Rachel Valinsky
Managing Designer: Siiri Tännler
The Kill is a silkscreen print by Pippa Garner, produced on the occasion of Primary Information’s publication of the artist’s Better Living Catalog. The work is signed by the artist and produced in an edition of 50.
Born in 1942 in Evanston, Illinois, Pippa Garner (formerly known as Philip Garner) began her practice in the late sixties as a member of the highly regarded Transportation Design department at ArtCenter, California, with plans to become a car stylist, and was drafted to Vietnam to serve as a combat illustrator. In the mid-80s, Garner began her gender transition, which she considers a conceptual artwork, marking an extension of her practice from twenty years of altering cars, garments, and consumer products to using her own body as raw material. Garner appeared on The Tonight Show Starring Johnny Carson and other talk shows, showcasing her satirical consumer product inventions, and her artwork has been featured in Car & Driver, Rolling Stone, Arts & Architecture, and Vogue, among other publications. In the 1980s, her performance, design, and video work was exhibited in institutions including the Los Angeles Institute of Contemporary Art; Whitney Museum of American Art; and Museum of Contemporary Art, Los Angeles; since 2015, she has had exhibitions at STARS, O-Town House, Redling Fine Art, and Parker gallery in Los Angeles; Jeffrey Stark in New York; JOAN, Los Angeles; Kunstverein München; 49 Nord 6 Est – Frac Lorraine, Metz; Kunsthalle Zurich; and Art Omi, Ghent, New York. She is the author of three other books: Utopia… or Bust! Products for the Perfect World (1984), Garner’s Gizmos & Gadgets (1987), and the zine Beauty 2000 (1992/2021).
8.5 x 11 inches
Silkscreen print
Edition of 50 + 5 APs
Signed
2023
Dear Jean Pierre collects David Wojnarowicz’s transatlantic correspondence to his Parisian lover Jean Pierre Delage between 1979 and 1982. Capturing a truly foundational moment for Wojnarowicz’s artistic and literary practice, these letters not only reveal his captivating personality—and its concomitant tenderness, compassion, and neuroses—but also index the development of the visual language that would go on to define him as one of the preeminent artists of his generation.
Through this collection, readers are introduced to Wojnarowicz’s Rimbaud series, the band 3 Teens Kill 4, the publication of his first photographs, his early friendship with Peter Hujar, his participation in the then-emerging East Village art and music scenes, and the preparations for the publication of his first book. Included with these writings are postcards, drawings, xeroxes, photographs, collages, flyers, ephemera, and contact sheets that showcase some of the artist’s iconic images and work, such as the Burning House motif and Untitled (Genet, after Brassai).
Beyond these milestones, the book offers a striking portrayal of Wojnarowicz as a twenty-something, detailing his day-to-day life with the type of unbridled earnestness that comes with that age and the softness of love and longing. This disarming tenderness provides a picture of a young man just beginning to find his voice in the world and the love he has found in it.
Although the two exchanged letters in equal measure, Delage’s correspondences have largely been lost, leaving us with only a revelatory glimpse into the internal world of Wojnarowicz during what turned out to be his formative years.
David Wojnarowicz (1954-1992) was born in Red Bank, New Jersey. Wojnarowicz channeled a vast accumulation of raw images, sounds, memories and lived experiences into a powerful voice that was an undeniable presence in the New York City art scene of the 1970s, 80s and early 90s. Through his several volumes of fiction, poetry, memoirs, painting, photography, installation, sculpture, film and performance, Wojnarowicz left a legacy, affirming art’s vivifying power in a society he viewed as alienating and corrosive. His use of blunt semiotics and graphic illustrations exposed what he felt the mainstream repressed: poverty, abuse of power, blind nationalism, greed, homophobia and the devastation of the AIDS epidemic. Wojnarowicz died of AIDS-related complications on July 22, 1992 at the age of 37.
616 pages
8.5 x 11 inches
Paperback
Edition of 4000
August 2023
ISBN: 9781737797951
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Editor: James Hoff
Designer: Pacific
Copy editor: Allison Dubinsky
Pippa Garner’s Better Living Catalog, originally published in 1982, takes the form of a mail order catalog featuring clever and whimsical inventions that parody consumer goods while simultaneously critiquing America’s obsession with ingenuity, efficiency, leisure, and comfort. These works, which were made as prototypes and photographed for the publication, take the form of improbable accessories, clothing, footwear, home appliances, and office gadgets.
For example, the “Reactiononometer,” a portable wristband, instantly measures social success, while the “Digital Diet Loafers” display the wearer’s weight with every step. If the “Munch-o-Matic” reduces deskwork interruptions by flinging a snack right into the user’s mouth, other items promise financial solvency (the controlled cash flow “Autowallet”), sustainable waste management, or mess-free companionship (the “Pet-a-Vision” TV console). The artist asserts that all of the products in the book are “absolute necessities for contemporary survival.”
The Better Living Catalog was a pop hit when it was published, earning Garner spots on nighttime TV talk shows and attention from magazines like Vogue and Rolling Stone. In a meme-filled culture, the works still resonate today, finding their analog in widely-circulating consumer products, and—in the case of the “High Heel Skates”—even appearing unattributed in the runway collection of a major luxury fashion brand.
A few years after the Better Living Catalog was published, Garner began her gender transition, which she has characterized as an artistic project that draws conceptual parallels to the altered consumer goods she has continued to create since the 1970s. The artist’s practice has always been about hacking—gender hacking, she stated, was “an excellent premise for maverick conceptual art and diametrically opposed to anything I’d ever done.”
Many of the prototypes Garner created for the publication were repurposed or recycled, making this previously rare gem of an artist book one of the artist’s few works to now be widely available.
Born in 1942 in Evanston, Illinois, Pippa Garner (formerly known as Philip Garner) began her practice in the late sixties as a member of the highly regarded Transportation Design department at ArtCenter, California, with plans to become a car stylist, and was drafted to Vietnam to serve as a combat illustrator. In the mid-80s, Garner began her gender transition, which she considers a conceptual artwork, marking an extension of her practice from twenty years of altering cars, garments, and consumer products to using her own body as raw material. Garner appeared on the Tonight Show Starring Johnny Carson and other talk shows, showcasing her satirical consumer product inventions, and her artwork has been featured in Car & Driver, Rolling Stone, Arts & Architecture, and Vogue, among other publications. In the 1980s, her performance, design, and video work was exhibited in institutions including the Los Angeles Institute of Contemporary Art; Whitney Museum of American Art; and Museum of Contemporary Art, Los Angeles; since 2015, she has had exhibitions at STARS, O-Town House, Redling Fine Art, and Parker gallery in Los Angeles; Jeffrey Stark in New York; JOAN, Los Angeles; Kunstverein München; 49 Nord 6 Est – Frac Lorraine, Metz; Kunsthalle Zurich; and Art Omi, Ghent, New York. She is the author of three other books: Utopia… or Bust! Products for the Perfect World (1984), Garner’s Gizmos & Gadgets (1987), and the zine Beauty 2000 (1992/2021).
100 pages
5.25 x 8.09 inches
Paperback
Edition of 2500
June 2023
ISBN: 9798987624944
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Managing Editor (2023): Rachel Valinsky
Managing Designer (2023): Siiri Tännler
Live Audio Essays presents transcripts from performances and films by Lawrence Abu Hamdan, an artist known for his political and cultural reflections on sound and listening.
Abu Hamdan’s intricately crafted and heavily researched monologues are at times intimate, humorous, and entertaining, yet politically disquieting in their revelations. Using personal narratives, anecdotes, popular media, and transcripts rooted in historical and contemporary moments, the artist leads the reader through his investigations into crimes that are heard but not seen. These live audio essays turn our focus to acoustic memories, voices leaking through walls and borders, the drone of warfare, cinematic sound effects, atmospheric noise, the resonant frequencies of buildings, the echoes of reincarnated lives, and the sound of hunger.
Live Audio Essays collects seven iconic works, which were originally presented as performances, films, or video installations from 2014 through 2022. Featured pieces include Contra Diction (Speech Against Itself), Walled Unwalled, After SFX, Natq, A Thousand White Plastic Chairs, Air Pressure, and the newly-completed The 45th Parallel.
All the texts were transcribed and edited with the artist and are available here in a single volume for the first time.
Lawrence Abu Hamdan is a Private Ear, listening to, with and on behalf of people affected by corporate, state, and environmental violence. Taking the form of forensic reports, lectures and live performances, films, and publications, his work reflects on the political and cultural context of sound and listening and has been presented at the 22nd Biennale of Sydney; the 58th Venice Biennale; the 11th Gwangju Biennale; the 13th and 14th Sharjah Biennial; Witte De With, Rotterdam; Tate Modern Tanks; Chisenhale Gallery; Hammer Museum, Los Angeles; and Portikus Frankfurt. He received his PhD in 2017 and has held fellowships and professorships at the University of Chicago; the New School, New York; and the Johannes Gutenberg University Mainz. He is the recipient of the Toronto Biennial Audience Award, the Edvard Munch Art Award, and the Nam June Paik Award, and was the co-winner of the Turner Prize in 2019. His audio investigations have been used as evidence at the UK Asylum and Immigration Tribunal and been a key part of advocacy campaigns for organizations such as Amnesty International, Defence for Children International, and Forensic Architecture.
144 pages
5 x 7.5 Inches
Paperback
May 2023
ISBN: 9798987624951
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Editor: James Hoff
Designer: David Bennewith / Colophon
Copy editor: Allison Dubinsky
The Twofold Commitment is an artist book by filmmaker, writer, and theorist, Trinh T. Minh-ha. While contextualizing the wider scope of her filmmaking practice, this publication centers on Trinh’s feature film Forgetting Vietnam (2015), which takes up one of the myths surrounding the creation of Vietnam: a fight between two dragons whose intertwined bodies fell into the South China Sea and formed Vietnam’s curving, S-shaped coastline. Commemorating the fortieth anniversary of the end of the Vietnam War, the film draws inspiration from ancient legend to stage an ongoing, contemporary conversation between land and water, creating a third space for historical and cultural re-memory.
The book features the film’s lyrical script, along with rhythmically distributed cinematic stills. Expanding on this central focus is a series of conversations between Trinh and film and sound scholars Patricia Alvarez Astacio and Benjamín Schultz-Figueroa; Erika Balsom; Lucie Kim-Chi Mercier; Domitilla Olivieri; Stefan Östersjö; Irit Rogoff; and Xiaolu Guo. These conversations date from 2016 to 2022 and are accompanied by an index of key concepts in the artist’s work.
Born in Vietnam, Trinh T. Minh-ha is a filmmaker, writer, and music composer. She is the author of twelve books, including, most recently, Lovecidal: Walking with the Disappeared (2016) and D-Passage: The Digital Way (2013), as well as the foundational Woman, Native, Other: Writing Postcoloniality and Feminism (1989). Her films and large-scale multimedia installations have been presented at Documenta 11, Kassel; La Triennale at the Palais de Tokyo, Paris; and the Whitney Biennial, New York; as well as the Yerba Buena Center for the Arts, San Francisco; the Kyoto Biennale; the Musée du Quai Branly, Paris; the Okinawa Prefectural Museum; the Guangzhou Triennial; and Manifesta 13, Marseille. Her films have been exhibited as part of numerous international film festivals and honored in over sixty-five retrospectives worldwide. She is the recipient of numerous awards and grants, and is a Distinguished Professor of the Graduate School in the departments of Gender & Women’s Studies and Rhetoric at the University of California, Berkeley.
204 pages
6.6 x 8.9 inches
Paperback
Edition of 2200
May 2023
IBSN: 9781737797968
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Editor: Rachel Valinsky
Designer: Dorothy Lin
Copy Editor: Allison Dubinsky
Untitled (Arthur Rimbaud in Paris) is an editioned photograph by David Wojnarowicz produced on the occasion of Primary Information’s publication of Wojnarowicz’s Dear Jean Pierre. This edition is produced from the artist’s Arthur Rimbaud series and is the only one that is not set in New York City. Originally produced in 1980, the work depicts Wojnarowicz’s Parisian lover Jean Pierre Delage standing in front of the Eiffel Tower, wearing a life-size mask of Arthur Rimbaud and holding a burning newspaper.
Untitled (Arthur Rimbaud in Paris) is printed by Gary Schneider, the acclaimed photographer and printer who worked with David Wojnarowicz and Peter Hujar in the 1980s. The print is produced in an edition of 100 and is stamped and numbered by the Estate of David Wojnarowicz. It comes enclosed in the inside cover of the Dear Jean Pierre book.
The first 50 prints in this edition are priced at $600, with the following 30 priced at $800, and the final 20 priced at $1,000.
David Wojnarowicz (1954-1992) was born in Red Bank, New Jersey. Wojnarowicz channeled a vast accumulation of raw images, sounds, memories and lived experiences into a powerful voice that was an undeniable presence in the New York City art scene of the 1970s, 80s and early 90s. Through his several volumes of fiction, poetry, memoirs, painting, photography, installation, sculpture, film and performance, Wojnarowicz left a legacy, affirming art’s vivifying power in a society he viewed as alienating and corrosive. His use of blunt semiotics and graphic illustrations exposed what he felt the mainstream repressed: poverty, abuse of power, blind nationalism, greed, homophobia and the devastation of the AIDS epidemic. Wojnarowicz died of AIDS-related complications on July 22, 1992 at the age of 37.
8 x 10 inches (paper size)
4.125 x 6.16 inches (image size)
Pigmented ink print on Hahnemühle Photo Rag Matt
Edition of 100 + 10 APs
Numbered and stamped by the Estate of David Wojnarowicz on verso
1980/2023
Primetime Contemporary Art is a publication documenting a radical, two-year intervention by the GALA Committee on the primetime television show Melrose Place. Originally published in a limited run in 1998, this extremely rare artist book is reproduced here for the first time as a facsimile edition.
Mel Chin initiated the loose collective of artists known as the GALA Committee in 1995 in response to an invitation to participate in an upcoming exhibition at the Museum of Contemporary Art, Los Angeles. The artist arranged with the producers of Melrose Place for the collective to create objects for the soap opera, resulting in an extensive series of political works used as plot devices and props across two seasons of the show. The GALA Committee’s intervention provided surreptitious commentary on reproductive rights, HIV/AIDS, the Gulf War, domestic terrorism, corporate malfeasance, and substance abuse, among other issues. Despite some of these topics having been banned by the FCC at the time, the group’s political critiques went unnoticed by censors, subverting corporate and government controls of primetime television with a progressive agenda.
These works were exhibited in Uncommon Sense at the Museum of Contemporary Art, Los Angeles in 1997 and then sold at an auction at Sotheby’s to support several charities. Primetime Contemporary Art, created by Chin and Helen Nagge, was used as the auction catalog for the evening, documented the artwork produced for the exhibition, and articulated the conceptual framework of the GALA Committee.
Mel Chin was born in Houston, Texas, and is known for the broad range of approaches in his art, including works that require multi-disciplinary, collaborative teamwork, and works that enlist science as an aesthetic component to developing complex ideas. He pioneered “green remediation” in his 1990 project, Revival Field; presented his proposal for a New World Trade Center as part of the American representation at the 2002 Venice Biennale of Architecture; won a Pedro Sienna Award for Animation in Chile for his 2017 film, 9-11/9-11; and founded S.O.U.R.C.E. Studio in 2017 to realize sustained engagements with community and environment. In 2018, he presented Unmoored and Wake in Times Square, New York City, creating a visual portal into a future of rising waters, and had a forty-year-survey exhibition at the Queens Museum. He is the recipient of many awards, grants, and honorary degrees, including the MacArthur Fellowship in 2019, and was elected to the American Academy of Arts and Letters in 2021.
Helen Nagge has collaborated with Mel Chin on major public art projects for over two decades. She has worked with commercial galleries and non-profit art spaces in Houston, Texas, and New York City, and developed in-house archival systems for clients and seminal American artists’ estates. She also worked in publishing for several years, notably for Simon & Schuster, Harvey Klinger Literary Agency, and others, and continues to edit texts for Mel Chin Studio.
The GALA Committee (1995-1997) was a collective of artists, faculty, and students from the University of Georgia, Athens; CalArts, Los Angeles; and Grand Arts, Kansas City formed by Mel Chin in response to the 1995 invitation to participate in the group show Uncommon Sense at the Museum of Contemporary Art, Los Angeles. The GALA Committee included: David Adams, Elizabeth Adams, Eric Andersen, Emily Arthur, Katie Bauman, Cameron Bernie, David Blanchard, John Borthwick, Barron Brown, Alan Bush, Heather Champ, Heeyeon Chang, Mel Chin, Lance Clarke, Roymont Clements, Kathleen Hillseth Clinesmith, Karina Combs, Melissa Conroy, John Crowe, John Cupit, Lesley Dill, Heather M. Eastman, Diane Edison, Brian Ellison, Evan Firestone, Mark Flood, Joe Girandola, Terry Glispin, Nuala Glynn, Jason Grier, Garrison Gunter, Elizabeth Huber, Chip Hayes, Frank Irving, Kim Jensen, Bryan Jernigan, Karin Johansson, M. Dana Jones, Cheryl Kaplan, Kendal Kerr, Kat Kinsman, Koichi Kimura, Jeff Knowlton, Leo Knox, Bernie Koersen, H. Lan Thao Lam, Ed Lambert, Elizabeth Langford, Jon Lapointe, Tom Lawson, Kristi Leonard, Donna Marcantonio, Diana McIntosh, Mara Lonner, Wendy Lundin, Steve Maleski, Thomas Mann, Stephen McRedmond, Carol Mendelsohn, Georgia Metz, Tamara Mewis, James Millar, Stever Miller, Tam Miller, Tess Miller, Dallas Moore, Margaret Morgan, Jerry Murphy, Helen K. Nagge, Yana Nirvana, Gail Patterson, Kim Patterson, Constance Penley, Joseph Pizzorusso, Chuck Pratt, Elizabeth S. Puckett, Dan Pugh, Martha Rees, Carl Robertson, Guadalupe Rodriguez, Sandra Rodriguez, Jeff Roe, Kathleen Rogan, Huan Saussy, Sanjit Sethi, Maura Sheehan, Jocelyn Shipley, Eric Shriner, Deborah Siegel, Rachel Slowinski, Frank South, Rachael Splinter, Eric Swangstu, Troy Swangstu, Janice Tanaka, Valerie Tevere, Joseph Tucker, Kathy Vargas, Tony Velasco, Jim Wade, John Watts, David Wilson.
40 pages
8.5 x 11 inches
Edition of 2500
Paperback
April 2023
ISBN: 9781737797975
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