Linda Goode Bryant and Marcy S. Philips

Contextures was originally published in 1978 by New York’s legendary Just Above Midtown gallery. Edited by gallery founder Linda Goode Bryant and Marcy S. Philips, the publication provides an extensive history of Black artists working in abstraction from 1945 to 1978 while also articulating a newly-emerging movement of Black Conceptual Art in the 1970s.

The publication contains extensive writing by Goode Bryant and Philips drawn from interviews with the featured artists, as well as 58 black-and-white and 16 color images documenting the work of 25 artists: Banerjee, Frank Bowling, Donna Byars, Ed Clark, Houston Conwill, John Dowell, Mel Edwards, Wendy Ward Ehlers, Fred Eversley, Susan Fitzsimmons, Sam Gilliam, Gini Hamilton, David Hammons, Manual Hughes, Suzanne Jackson, Noah Jemison, James Little, Al Loving, Senga Nengudi, Howardena Pindell, Betye Saar, Raymond Saunders, Sharon Sutton, Randy Williams, and William T. Williams. A newly commissioned afterword by Thomas (T.) Jean Lax, curator of the exhibition Just Above Midtown: Changing Spaces at the Museum of Modern Art, is also included.

Contextures was originally conceived by Goode Bryant and Philips as an exhibition at Just Above Midtown, with this publication serving as its extensive catalog. Functioning more like a textbook than a traditional catalog, the book realizes a vital mission of placing Black artists within the still-prevalent, white-dominated canon of post-war abstract art. Despite its historical importance and visionary scholarship, Contextures was originally produced in a limited run of just a few hundred copies by the gallery and remains rare and largely unknown.

This new edition is produced in facsimile form and is a co-publication between Primary Information and Pacific.

112 pages
9 x 9.25 inches
Edition of 3500
Spring 2024
ISBN: 9798987624920

Co-Published with Pacific
Managing Editors: Elizabeth Karp-Evans and James Hoff
Designer: Pacific
Copy Editor: Allison Dubinsky

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