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Sam Moyer
Remainder I-V
This new stone-bronze painting edition builds directly on the centerpiece of Sam Moyer’s most recent exhibition, creating five new works: a series of smaller-scale wall works that incorporate the shattered fragments of a massive marble platform sculpture.
Out of stock
Seth Siegelaub and Robert Projansky
Siegelaub / The Artist’s Reserved Rights Transfer And Sale Agreement
The Artist’s Reserved Rights Transfer And Sale Agreement, drafted by Seth Siegelaub and Robert Projansky in 1971, is a contract meant to be used by artists upon sale of his/her work.
Sarah Crowner
Format (Limited Edition)
Format housed in unique sleeves sewn from residual painted canvas from Sarah Crowner’s studio.
Out of stock
Barbara Moore
A Poor Man’s Keys To The New Art
Barbara Moore reflects on her time as founding Editorial Director of Something Else Press and its Great Bear Pamphlets Series.
Art Workers Coalition
Documents 1
A collection of correspondence, press, and ephemera surrounding the foundation and rise of the Art Worker’s Coalition, published at the height of the group’s activity in 1969.
Art Workers Coalition
Open Hearing
A monumental collection of statements originally published in the wake of the first public meeting of the Art Workers’ Coalition at the School of Visual Arts in New York on April 10, 1969
Dick Higgins
Something Else Press Newsletters 1966-83
Consisting of theoretical missives, musings, gossip, and semi-regular reportage on the activities of a host of now-legendary figures, the Something Else Newsletter offer an unparalleled window onto the Something Else universe between 1965 and 1983.
An Anti-Catalog
A landmark publication of the 1970s, An Anti-Catalog is a thoroughgoing critique of the Whitney Museum of American Art’s bicentennial exhibition in 1976 through a series of “written and pictorial essays” by members of Artists Meeting for Cultural Change.
Liza Béar and Willoughby Sharp
The Early History of Avalanche
This publications chronicles the conception and production of Avalanche magazine between 1968-1972, as well as the artistic milieu from which it emerged.
