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Seth Siegelaub
January 5 – 31, 1969
This publication, organized by Seth Siegelaub, was presented as the centerpiece of an exhibition of the same name and features the work of Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawerence Weiner.
Seth Siegelaub
July, August, September 1969
This trilingual catalogue, organized by Seth Siegelaub, presents the work of 11 artists that was exhibited internationally over a three-month period.
Seth Siegelaub
March 1969
Alternatively titled One Month, this book was organized by Seth Siegelaub and presents the work of North American and European artists in the form of a calendar.
Seth Siegelaub
Catalogue for the Exhibition
This publication accompanied a month-long exhibition organized by Seth Siegelaub at Simon Fraser University in British Columbia in 1969.
Sam Moyer
Remainder I-V
This new stone-bronze painting edition builds directly on the centerpiece of Sam Moyer’s most recent exhibition, creating five new works: a series of smaller-scale wall works that incorporate the shattered fragments of a massive marble platform sculpture.
Out of stock
Sam Moyer
Remainder I-V
This new stone-bronze painting edition builds directly on the centerpiece of Sam Moyer’s most recent exhibition, creating five new works: a series of smaller-scale wall works that incorporate the shattered fragments of a massive marble platform sculpture.
Out of stock
Seth Siegelaub and Robert Projansky
Siegelaub / The Artist’s Reserved Rights Transfer And Sale Agreement
The Artist’s Reserved Rights Transfer And Sale Agreement, drafted by Seth Siegelaub and Robert Projansky in 1971, is a contract meant to be used by artists upon sale of his/her work.
Sarah Crowner
Format (Limited Edition)
Format housed in unique sleeves sewn from residual painted canvas from Sarah Crowner’s studio.
Out of stock
Barbara Moore
A Poor Man’s Keys To The New Art
Barbara Moore reflects on her time as founding Editorial Director of Something Else Press and its Great Bear Pamphlets Series.
Art Workers Coalition
Documents 1
A collection of correspondence, press, and ephemera surrounding the foundation and rise of the Art Worker’s Coalition, published at the height of the group’s activity in 1969.
